Breaking new "Ground" for Surface and Underpainting
Part Plein Air, Part Studio I’m not an experienced plein air painter, but I value the merits of going outside to paint. I agree with the view that you are never going to learn what light can feel like, what real color and atmosphere is by working from a photograph. Nothing will force you to ‘get on with it’ than racing against a sinking afternoon sun. Volume and shape are not distorted by a ‘flattening’ photograph. Besides, it is great to be outside. Last fall, full of 'plein-air' ambition, I set off into the wilds of my central Texas neighborhood green belt to [...]
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